Repertoire is probably the biggest concern of every new student. When you start learning a new dance, you want more steps. Harder steps. Fancier steps. Well, the problem is that when you learn a new step, that’s all you know. You don’t really learn the variations and styling that goes along with it. So rather than just focusing on the individual steps that you’ve learned, here is a list that might be equally useful. I wrote this several months ago for a student, and it is by no means a comprehensive list. But I think this is enough to last most new Lindy Hoppers a long time.
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New steps
October 22, 2009Midtown Stomp
October 10, 2009Back in my old stomping grounds of Sacramento, the swing venue of choice is called Midtown Stomp. It’s a weekly event that has changed locations more than once in it’s lifetime, but has continued to expand and influence not only the local swing scene, but the entire city. Recently, the Sacramento Bee had a wonderful article about Midtown Stomp, and I’d like to share with you what they had to say. My congratulations go out to Midtown Stomp for all of their successes, and the amazing difference they have been able to make in Sacramento. My thanks go out to Anna Ritner for writing this article.
“Sometimes, when the mood strikes, you just gotta dance. Yet I often hear people complain, however lazily, that there’s nowhere good to exorcise dancing demons in Sacramento.
The Park is too processed, they say, Press Club loses its sheen at the exact moment your ex decides to start hanging out there, and the music at Badlands is so canned, you risk hearing ‘All the Single Ladies’ playing on a continuous loop in your brain for a week to follow your excursion.
For those who desperately want to rock, may I offer a solution. The venue is romantic, the music has withstood the test of time, and the crowd oozes rhythm and style to the extent that – get this – it doesn’t even need a bar to get down.
Midtown Stomp is the name of the organization that’s keeping swing dancers swinging in Sacramento, and it offers beginner-level East Coast swing classes – often to the tunes of a live band – for singles, couples and anyone who’s ever dreamed of teleporting to the Cotton Club circa 1930 for a Sazerac and some healthy, arm-flailing jive.
Every Friday night, while you’re sitting at a nightclub and gazing longingly at an empty dance floor, the Stompers are stoking the embers of tradition as they steam up midtown’s Eastern Star Ballroom with the Lindy Hop, Charleston, Balboa and a handful of other old-time dances that look even sweeter than they sound.
Showing up for my first swing-dance lesson was a little like visiting the high school prom experience of several decades past, minus a corsage. And a date. The lobby of the grandiose Eastern Star Temple, with its decadent spiraling staircases and ancient smells, instantly transported me to the 1920s, the era in which the K Street building was constructed. While waiting in line to register, a gaggle of teen girls, outfitted in T-strap shoes and loose skirts, chatted with another newcomer.
‘We never miss a week,’ they beamed, their limbs already bouncing in swing time rhythm.
I ascended the spiral staircase leading to the temple’s gorgeous and expansive ballroom. Teens, adults, couples and singles were scattered across the floor. They were practicing moves from last week’s lesson and warming up for a night of hopping, twirling and rock-stepping – the latter a back-and-forth weight-shifting movement that is the keystone of the swing dancing experience.
Within minutes, the crowd blossomed from about a dozen people to more than 100, and the group’s composition was so diverse in age, height, ethnicity and appearance, it rivaled the human smorgasbord found at any DMV.
And here’s the very best part of the class: Because you constantly change partners, you get to meet almost every single person (at least those of the opposite sex) in attendance.
I saw meticulously slicked-back hairstyles, bald heads, plenty of fedoras, sneakers and high heels, the only common denominator being that crowd had an air of old-fashioned manners. The men were wearing cologne; the women were lipsticked and standing up straight. And the phenomenon of existing in a little-known midtown hideaway under the chandeliered ceiling of an all-original ballroom, listening to ‘Stormy Weather’ echo out over the wood floor, was sublime – in the most dreamy, vintage sort of way.
Perhaps I channeled the spirits of bygone Sacramentans, who, in the midst of swing fever, attended dance parties in the very same location.
Like the most adept and sanguine Disneyland tour guides, our cheerful instructors quickly had us grouped in pairs, with our right hands clasped and our left arms gently placed on the appropriate body parts of our partners.
After a minute with one partner, the ladies rotate counter-clockwise, creating a social phenomenon that’s kind of like speed-friendship-dating set to music. Some of my partners were beginners and struggled with the movements. Some of them had sweaty palms. And some of them had me twirling around in ways that were far beyond my skill set within 10 seconds of making their acquaintance.
Swing dancing saw its rise during Prohibition, and the dance’s frisky style and unbridled energy explains why its enthusiasts don’t need booze to boogie. In fact, for beginners, impairing coordination before the lesson would probably be a very bad idea.
In an era when bumping and grinding and solo dancing in noisy, shadowy nightclubs is considered apropos to many, the Midtown Stomp experience is refreshing and completely unfamiliar. The rules of the dance are older than you are, so you must face your partner directly, an arrangement that has a funny way of inducing smiles and laughter, even among strangers.
And the music, of course, is the most delightful reason to learn. Set at a comfortable volume, it allows something you can’t find on any average dance floor these days: that good, old-fashioned intimacy called real conversation.”
Rule #1
July 28, 2009Those of us who have been in the swing dance scene for a while know the golden rule. We know it because we’ve betrayed it before and been burned as a result. It is easy to forget, and even easier to ignore, but it is one of those things that every person in a social dance scene anywhere should always keep in mind. You’ll probably discover how important it is sooner than you’d expect.
Rule #1 is: No falling in love on the dance floor.
For all we talk about ways to sweep our partner off their feet, or how to do that perfect step that makes them melt in our hands, we have to be able to stop ourselves from getting permanently lost in that moment. Dance floor chemistry is very different from real-life romantic chemistry. Just because you have a very intimate connection with someone on the dance floor doesn’t mean you’ll connect with them in any other aspect of life. You may discover that aside from dance, you don’t have a single thing in common with them. Dancers come from all walks of life, so don’t imagine how wonderful your life would be together just because the dip was perfect.
Don’t look at this as being expected to keep a professional distance between you and your dance partner. Swing dance is a social event. We want you to dance with a lot of different people, and to get to know the others in the community. Many of my closest friends have come from swing dance, and I make new friends on the dance floor all the time. But it should always be from the perspective of, “They seem like a cool person. I’d like to hang out with them outside of dance and get to know them better.” That attitude should always be encouraged. The thought you want to avoid is, “We dance so well together. We must be soul-mates.” Trust me. The odds of connecting that well with someone both on and off the dance floor are very, very small. It does happen, but not often.
Like I said, this is an easy rule to forget. Even after dancing for 9 years, even after teaching this very rule to hundreds of students, I still fall in love on the dance floor an average of 3 or 4 times a year.
I’ve had my heart broken every time.
The big question
July 23, 2009Whenever I meet someone new and I tell them what I do for a living, I almost always get asked, “What got you into dance?” The answer is simple, and I tell people freely. Women. And people always seem to laugh like that answer was somehow unexpected. It’s very confusing to me. We can accept that a man can burn through money buying designer clothes and exotic cars, or that he’ll spend hours pumping up the most visible muscles in the gym, all for the purpose of making himself more attractive to the opposite sex. But the idea that a man will actually learn to dance to improve his love life seems laughable. It shouldn’t be. I’ll admit that it’s been many years since hooking up with a girl has been my main motivation for dancing. I love swing dance for its own sake. But I say without shame that the ability to meet, connect, and yes, actually impress a woman on the dance floor is and will always be one of the biggest perks.
This goes for women just as much as men. How shocking that a woman might actually tire of meeting people in an environment where the men have free reign to behave like animals. My experience: women apprciate all the people they meet when out dancing. It’s an environment that is elegant without being reserved. Fun without being completely out of control. Where the icebreakers are as simple as an introduction and a “Nice to meet you. Would you like to dance?”
The irony of all of this is that it is an astounding pain in the neck to get people to come out and dance. Those of us who have been in the swing dance scene for a while have talked recently about how hard it is to convince our friends to come have fun with us (it’s actually a little comforting to have more people share my plight). We know how much fun it is, and it’s not like we’re keeping it a secret, or making it hard to find. We’re shouting it from the rooftops, and opening our doors to anyone who wants to come. Yes, we really do want you to join us.
I’ve said this many times before, but to anyone reading this, I’ll say it again. There is an opportunity here in Sioux Falls to be part of something so cool it’s like it’s out of a movie. You can do it with friends, or you can do it alone. You can do it every now and again when the mood strikes you, or you can do it every night of the week. You won’t be judged, or mocked, or put down, or harassed in any way. And you’ll be surrounded by people who honor and appreciate you, just because you took the time to show up. You’ll meet and connect with amazing people from all walks of life who want to get to know you better. You’ll have an amazing time, and it’s free. I am personally inviting you to share all of this with me. Would you really say no?
Leaders Like to be Teased
June 5, 2009In my last post, I talked about the connection that is so important for leaders to have. The continuous pressure and tension that allows communication between partners. And a lot of people think that is the end of it. After all, the leader is the one leading and choreographing the dance, so it’s his control and his knowledge of the dance that matters. Wrong. Followers have a tremendous influence over the dance as well, and their connection matters. I can tell you from my personal experience that the number of steps that I can pull off while dancing doubles when I’m partnered with a girl who really understands connection versus someone who just knows the steps. It allows for a lot more possibilities, and more possibilities means greater freedom of expression as an artist. And the key for followers in keeping that strong connection is to NOT do what their leader wants them to do. At least, not right away…
Leaders like to be teased. More specifically, leaders like to be resisted. I don’t mean that a follower should change the steps that her leader is leading or that she should try to choreograph the dance herself. Only one person can be the leader. However, when a follower moves, she should move because she is 100% sure that it is exactly what her leader wants her to do. The best way to do this is to wait. Just a fraction of a split second is enough. Don’t anticipate. Wait for him to lead you through every step. If you know he’s going to spin you, don’t just spin. Stay connected and resist him keeping yourself just a hair behind the step. Imagine that just before you do the step, you’re saying to your leader, “Maybe I will, and maybe I won’t.” Keep that in mind and the dance will be more playful and more creative than ever before, and your leaders will thank you.
Once again, don’t overdo it. Reminding your partner that you can fight the step and actually fighting the step are two very different things. Don’t make it a tug of war, and always respect the fact that your leader is coming up with all of these moves on the spot. A good way to tell if you’re resisting too much is if it’s really wearing your muscles out. That means you’re pulling too hard, so relax the connection, sink your feet into it, and try it again. Also, make especially sure that you don’t bring your elbows behind your body. It breaks the frame, and your partner has to work very hard to lead you from that position. Just like the leader’s connection, be strong, not forceful.
If you really want to hit that fine line of perfect tension, make sure you check out our classes by calling (605)212-6230.
Bluesin’
March 4, 2009Blues dance is a style that defies description. Even more so than Lindy Hop. Some of the dances I had at the Emerald City Blues festival last November ranked among the most intimate experiences I’ve ever had. One of them included a professional massage while on the dance floor (that was my all-time favorite dance until recently when a blues dance involved hair pulling).
Blues dance is about one thing: Connection. How to feel so close to your partner that moving them is a natural as moving your own body. Blues can be a very sexual experience. Imagine the raw desire of bump & grind mixed with the control and precision of Argentine Tango. Whether or not it’s a sensual experience for you, Blues is more than fun. It’s unforgettable.
Blues classes are every Sunday night from 9:00-10:30. You don’t need a partner, but because of the nature of the class you must be over 18. To learn more about our Blues class, call 605-212-6230.
Dip Tactics
February 26, 2009Dipping your partner (or being dipped) is one of the most fun and exciting aspects of swing dance. It’s a great way to end any song and is practical for breaks and just about every ballad ever written. But it’s good to remember that dips aren’t just another step. They’re a trick, and there is a right and a wrong way to approach them. While it’s always best to learn how they’re supposed to feel in a class with a professional instructor, here are a few basics to keep in mind when you try them on a social dance floor.
For Leaders:
Yes, it’s going to be easier if you’re a body builder and your partner disappears when she turns sideways. But that’s very rarely going to be the case, and it’s still okay to dip someone even if they’re twice your weight. The key is preperation. Never rush into a dip. Hitting that beat perfectly is little consolation if you drop your partner in the process. So take your time. Always, always, always, always dip your partner to your left side. Your right hand should be flat palmed behind their back inbetween their shoulder blades. Your left hand can be on their shoulder, behind their head, or holding their hand depending on where you need extra support. Twist your partner so that she is perpendicular to you facing your right. Only when she is positioned comfortably and your hands are supporting you should you start the dip. Step as far out to your left as you are comfortable with and lean your partner back. Remember not to make her uncomfortable. If she only wants to go so far, don’t push her. And remember that even the lightest followers weigh close to 100 lbs, so use common sense. Bend your knees and don’t lift with your back. Above all else, never, ever, ever grunt like you are lifting something heavy… at least not if you ever want to dance with her again.
For Followers:
You might think that because you’re really lightweight, you can trust your partner to hold you easily. Or you might think that because you’re a little bit heavier that you can’t trust anyone to not drop you. Both perspectives are wrong, but as it happens, they both have the same solution. The key is to not surprise your partner. With added momentum from a free fall, you can get heavy in a hurry. And if all that weight comes at once, even a strong leader can stumble. Start off by being patient. You might know well in advance that he’s going to dip you, but don’t actually shift your weight until he starts leaning you back. Wherever your hands are when he starts to dip you, push down to start to take some of the weight off your legs. That means that there will be much less of a weight difference for your leader during the dip itself. When you are being dipped, try to bend at the waist and the knees, almost as though you are sitting down in a chair. This helps to keep your weight over your leader’s center of gravity. Leverage is important here, and the closer you are to your partner the easier it will be. Once you are at the lowest part of the dip, you have the chance to add your own styling. The more bold you are, the more beautiful the step will be. And brushing your leg against your partner or running your fingers through his hair is a quick way to drive any guy wild.
To learn all the coolest dips, call to register today! 605-212-6230
The nature of swing
January 18, 2009
I want to share with you a conversation I had the other day. I was talking with a swing dance friend of mine from out of town who, for the moment, we’ll call “Jane.” Jane is still fairly new to the Lindy Hop scene, but she is an excellent businesswoman. She and I were discussing how to expand and bring new classes and opportunities to Sioux Falls (I don’t remember it word for word, so I might be paraphrasing a little).
Jane: “Why don’t you offer classes to younger kids? You can make a lot of money from parents who want their 4 or 5 year old to take dance.”
Me: “That’s true, but I don’t really feel comfortable teaching kids that young when the style is, by its very nature, about sex and chaos and rebelliousness.”
Jane: “It doesn’t have to be about that. If the dance is just chaos,
what’s the point of steps? Why wouldn’t you just do whatever you want?”
A momentary pause…
Jane: “Oh, wait. That’s how you dance, isn’t it?”
Me: “Now you’re getting it.”
This conversation really made me laugh, because there’s so much truth in it about what swing dance is. When Jane and I dance, she is always a little surprised at the variety of steps and styles that I use. I’m always a little surprised myself. Very rarely does a night of dancing go by where I don’t try something I’ve never done before. It’s chaos, and it’s awesome.
Yes, when you take a dance class you learn steps. But that’s not the point. Not even close. Dance is about having fun. There are no rules. There is no right and wrong. But rather than think that you can do whatever you want, remember that the trick is being able to communicate whatever it is that you want to do to a partner. Learning steps is just a means to an end. Imagine dancing with someone and being able to use steps and tricks from hip-hop, tap dance, belly dance, break dance, even disco,* and not only have your partner follow you, but make it look flawless! Like it was the plan all along. This is the glorious benefit that you get from all of our classes. Freedom.
If that’s something you want to experience (and it’s even better than it sounds), then treat yourself to one of our classes. Become an artist, and share your creativity with every person you dance with.
*I have personally used each of these styles when dancing Lindy Hop. (more…)
A few opening words
June 25, 2008My name is David Tritel, and I am the owner and instructor for the Sioux Falls Swing Experience.
For over a year now, every time someone finds out that I moved out to Sioux Falls from California, I hear the same question. “Why?” Well, lots of reasons… but only one important one.
Swing dance is my life. I live it, I eat it, I drink it, I breathe it, most importantly, I dance it. It’s brought me more joy and excitement than anything else in my life, not to mention friends across the world. And the more people I talk to, the more I realize that most people don’t have an activity that they are passionate about, or a community to be part of that brings them that kind of joy… yet.
Sioux Falls is a wonderful place. Once you get past our world-famous winters, you find a beautiful city that is one of the largest commercial and cultural centers in the Midwest. The people here in Sioux Falls are important to the rest of the world, but they are missing out. There are ways to live so that you can look at yourself in the mirror every day, proud of who you are and what you are part of. There are ways to make your life passionate and exciting and, most of all, fun. Swing dance is one of them.
I moved here to share with Sioux Falls the wonderful experience of swing dance that someone, many years ago, changed my life by sharing with me.
For more information about Swing and Salsa dance in Sioux Falls, call (605) 212-6230 or write to lindyhop@swingexperience.com.